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Showing posts with label wool processing. Show all posts
Showing posts with label wool processing. Show all posts

Monday, April 11, 2016

Textiles of Elizabeth de Burgh's Household

It has been a long while since I wrote anything for my blog. I have been spinning yarn like mad, weaving a little, doing some living history, teaching SCA classes, and writing 3 courses for Pennsic 45.

I taught a class on natural dyeing at Hrim Schola, in March 2016, which was a lot of fun. I will write a post about that later, particularly because I will be doing a lot more natural dyeing for a line of yarn I will be selling at farmers markets this summer.

Samples for my natural dyeing class at Hrim Schola, 2016


For Pennsic 45 I am teaching 3 courses:
e Constructive Feedback: How to Give it and How to Take It (Aug 8th, A&S Tent 5 @ 2pm)
e Textiles of Elizabeth de Burgh's Household (Aug. 11th, A&S Tent 3 @ 12pm)
e Motley, Checks, and Rays: Non-Monochrome Cloth (Aug 11th, A&S Tent 3 @ 2 pm)

The last two classes are based on the textiles found in the published household account books of Elizabeth de Burgh, Lady of Clare[1], the archaeological record from the same period in Europe and England, and other visual & written records of the time. The class Textiles of Elizabeth de Burgh's Household  covers what textiles were used within her household, from cloth-of-paris, to textiles for the livery of her household, textiles for her personal use, ecclesiastical textiles, tapestries & bedding.  The class Motley, Checks and Rays: Non-Monochrome Cloth covers how to use the household account books and other sources in your SCA experience, from shopping to dressing a entire household in a more period manner.  This class will primarily focus on wools for clothing which were far from the monochrome cloth we see in the SCA.

 The sources for these classes present problems for researchers. The archaeological record is literally fragmentary. We can learn about weave structure, fiber content, and sometimes color from the small fragments that are found in England's digs. However we cannot find the full width of the cloth, its intended purpose, nor anything about maker or purchaser. Here the written record and visual can fill in.  In the household account books, listings sometimes included the weaver or drapers name, for whom the fabric was purchases, its intended use, and even the length and width of fabric.  However it often lacks the details such as fiber content because that was simply understood by the accountants of the time.  The visual record does not give fiber content, no weave structure, but it can show how fabrics were used.

When these sources are viewed as a whole, we can create a reasonably complete picture of the fabrics of the large and prosperous household of Elizabeth de Burgh.  While it is not a perfect record, short of time travel, we will never truly have a complete picture.

What follows but one example of what we can learn from the household account books of Elizabeth de Burgh:

"This roll contains the measure of cloth for the livery of Lade de Burgh, 18 Edward III (1344). For the knights, 1 green cloth which measures 24 ells in length and 5.5 quarter ells in breadth [61.875 inches]; another, striped, which measures 23 ells in length and 1 ell in breadth....."[2] This continues for 8 knights not listed by name.

In the year 1344, cloth was commissioned or doled out for the livery of Elizabeth's household. I say commissioned because the total length of fabric given out in the full 1344 listing is 2144.75 ells[3] (2680 yards) for a very large contingent of knights, esquires, yeoman, grooms men. clerks and ladies, pages, middle clerks and ladies, serjeants, and little clerks. It is very likely to be impossible to simply walk into the largest markets in London and order this much yardage in the colors and patterns listed in the account books.  Nor are prices listed with particular listing. In other places the textiles are listed, along with intended purpose, with purchase price including fulling.  So where applicable costs are listed but not in this case. 

The other possibility is this is cloth they had in stock, had order by commission previously. This is a very real possibility because previous entries do list the same types of cloth with prices and fulling costs. Additionally the end of this listing for the knights says "Sum of cloths 8. And they contain in length 189.25 ells. And there remain 20 ells."
We can make an educated guess that this was also wool, rather than linen, cotton, or silk. The archaeological records support wool, wool was grown on Elizabeth de Burgh's estates in large quantities, and most convincing, a previous entry tells us "Purchase and making of cloth for livery.....Making 8 cloths for knights at £1 15 s each with 4 s for shearing, £14 4s....."[4] Although this listing is from November 1339 it lists 8 cloths for the knights with shearing. Shearing and fulling would only be done on wool. 

Further, we get this tantalizing detail from the same November 1339 listing "Silk bought for Robert de Glemisford for making stripes in the said cloths 9s."[5]  (Does this then mean that Robert de Glemisford was her weaver?) The silk mentioned was used to highlight stripes/rays of the period according to the contemporary English archaeological record.  Bands made of silk and wool survive in 12 extant examples. 5 date from the 2nd quarter of the 14th century, 7 are from the late 14th century.[6]  The archaeological record can tell us details about warp and weft, fiber content, weave structure, and color but can only give us a general picture of what the textiles of Elizabeth de Burgh's household were like because the fragments found do not directly correspond to the textiles the written record.  However they are worth considering.....

This is but a taste of these two classes. Come and find out more.
Handouts for all my classes will be available online via email after Pennsic 45.




[1] Ward, Jennifer (editor and translator), Elizabeth de Burgh, Lady of Clare (1295-1360) Household and Other Records, Boydell Press, @2014, ISBN# 978-1-84383-891-3
[2] Ward, Jennifer (editor and translator), Elizabeth de Burgh, Lady of Clare (1295-1360) Household and Other Records, Boydell Press, @2014, ISBN# 978-1-84383-891-3, page 72
[3] ells are 45 inches long
[4] Ward, Jennifer (editor and translator), Elizabeth de Burgh, Lady of Clare (1295-1360) Household and Other Records, Boydell Press, @2014, ISBN# 978-1-84383-891-3,page 39-40
[5] Ward, Jennifer (editor and translator), Elizabeth de Burgh, Lady of Clare (1295-1360) Household and Other Records, Boydell Press, @2014, ISBN# 978-1-84383-891-3, page 40
[6] Crowfoot, Elizabeth Frances Pritchard & Kay Staniland, Textiles and Clothing 1150-1450,  The Boydell Press and the Museum of London, Rochester NY, Copyright 2001, ISBN# 0-85115-840-4, page 55

Monday, December 29, 2014

Spinning in the Grease - Part Three (The Final Yarn)

Old Business: I have edited my post on the 3-D Printed spindles my husband made for me.  I will do a follow up post on how they spin later.


the four final skeins 

Spinning in the Grease - Part Three (The Final Yarn)

The unwashed plyed yarn.

New Business: Previous Two Posts on Spinning in the Grease are HERE and HERE

I have finally managed to get to the plying of the Cormo yarn spun in the grease.  I have two skeins of about 250 yards of fingering weight yarn.  I have some more of the wool to spin but not enough for another skein of the same size (including a batt made from the cast offs and tangled bits).  So I am going to spin a single a ply it with a far more wild single I have previously spun.  This should give me a third and fourth skein in a coordinating yarn for knitting in the future.  I personally love this kind of yarn.

Top: single ply Cormo yarn (spun in the grease) plyed with the lower yarn
Bottom: single ply yarn of silk, wool, sparkle, and sari silk (previously mentioned as a yarn titled "Mood Swing")

Washing of the finished yarn was easy. The yarn was put into a 2 yard skein on my niddy knoddy and secured.  I heated up water on the stove in the pot I have dedicated to this task (for all yarn washing).  I added some Unicorn Wash Power Scour and threw the yarn in when it was smoking hot but not even simmering.  The yarn required two washing to get it clean and I did not remove all of the grease in the process.  I may wash it one more time in a more mild soap.  It was then hung to dry without any weight on the skeins (I only use a weight on drying skeins for single ply yarns).

I will note (and I think this is a big thing when spinning in the grease) that I pulled the yarns out of the washing pot while the water was still hot.  I did this out of impatience.  Normally I would have left them to cool with the water and dealt with them in the morning but as it turns out taking them out while the water was hot was important.  I left the water in the pot over night minus the yarn.  In the morning I noticed a cold coating of grease and dirt floating on the top of the water.  If the yarn had been still in the water I would have had to skim the grease off the surface of the water before removing the yarn or risk it redepositing on the yarn.

2 ply Cormo yarn spun in the grease, being washed.  You can see all the grease and goo that came out of the yarn in the water.
I will also note that when washing the mixed fiber yarns, that there was sari silk in the blend.  This is notorious for having extra dye in the fibers that will come out in the washing and then dye the rest of the skein.  I combat this two ways for any yarn that has sari silk in it.  First I throw in a hand full of dye catchers into the pot.  These look like dryer sheets and absorb the excess dye released into the water.  You can find them in the laundry isle of the decent grocery store.  And the second thing is not to let the yarn stay in the pot of hot water for long.  Take it out and rinse it right away with as hot a water as you can stand.  This should get most of the dye out but I would expect some further bleeding of dye over the years.  Don't block anything with sari silk in it on your good bed spread.  

Blended Yarn of 50% Cormo wool spun in the grease and 50% wool, alpaca, silk, sari silk, sparkle, and baby camel.  Shown before washing.

In the end the skeins looked and felt no different than if I had washed the wool first and processed it in a more traditional manner.

Skein one: 100% Cormo wool 250 yards of light fingering weight wool
Skein two: 100% Cormo wool 280 yards of light fingering weight wool
Skein three: 50% Cormo wool and 50% wool, alpaca, silk, sari silk, sparkle, and baby camel blend; 230 yards of light fingering weight wool
Skein four: 50% Cormo wool and 50% wool, alpaca, silk, sari silk, sparkle, and baby camel blend; 120 yards of light fingering weight wool

Grand total yardage: 880



Tuesday, November 25, 2014

What Came Off The Loom Yesterday



A while ago I warped up my loom with 6 yards of lace weight wool.  (2 ply lace weight yarn from Hide & Hare: Romney, Corriedale, & Merino cross)  (EDIT: Since someone asked, my loom was set up for an even weave/twill with 18 epi.)  The idea at the time was to weave several samples for a long term historic weaving project.  I will post more about this in the future.  At the end of the 5 samples I still had a lot of warp left.  In truth, one of the samples was suppose to be yardage but weaving with a weft of cobweb weight (2 passes for each shed) was getting to me.  I will write more on this soon, I promise.   I used the rest of warp with 3 separate wefts of different yarns. 


The top one has a weft of Berroco Boboli Lace (42% Wool, 35% Acrylic, and 23% Rayon)
The middle has a weft of Plymouth Yarn - Mushishi (95% wool/5% silk, Colorway: 13)
The bottom has weft of hand spun teeswater wool.
All examples are pre-washing (photos of washed fabric are below).

Most of these are going to be Christmas presents for family.  I suspect that they will become table clothes and place mats, and perhaps an infinity cowl.  The fabric started as 22" wide but has shrunk between 21" and 18" wide.  Each is about 1.5 yards long.

Oddly enough the teeswater weft which was highly twisted and single ply, made the fabric do this after it came off the loom.  The corners curled up wildly on their own.  I was a little worried and thought that this would be forced to become pillows.  However it has relaxed almost completely after washing and hang drying.  During the middle ages c. 1350, many fabrics were woven with a warp of single ply z-twist and a weft of single ply s-twist to create a balanced weave with single ply yarns.  Here is a perfect example of what happens when you don't do that.


Above: Before Washing
Below: After Machine Washing


The fabrics all softened a lot after washing and they got a lot more fuzzy. The fabric in the middle, shrunk the most and fuzzed up (bloomed) the most but the colors in the weft are now a lot more visible.   And unsurprisingly the one that shrank the least, and bloomed the least, was the one with the wool/acrylic blend yarn. The historic weaving samples have washed up quiet differently and are more pleasant to work with and to look at I think,  Its more like a nice wool fabric that you might buy than the "novelty" weaves if this post. Having now washed all of these I suspect they will all become infinity cowls for Christmas presents.



Monday, November 24, 2014

Perhaps a List Would Be A Good Idea


The Current Project List (Running Post Updated Often)

Mostly this post is to keep track of too many projects.  Some of these are no more than random thoughts, plans laid by mice & men, or half baked ideas.  If it is in red text then the project is done. Links to Yarn & What Knot blog posts and Ravelry pattern pages are provided for easy reference.  

  1. 1 lb of Cormo wool spun in the grease
    1. "Spinning in the Grease"
    2. "Spinning in the Grease - Part Two"
    3. "Spinning in the Grease - Part Three (The Final Yarn)"
    4. Bobbin One, Two, Three, Four
    5. The sweater project (??)
  2. Weaving Projects
    1. 5 oz of Teeswater wool spun and woven - Christmas present for Mom
      1. "I Digress"
      2. "What Came off the Loom Yesterday"
    1. Cowl for me
      1. "What Came off the Loom Yesterday"
    2. Christmas present for Mom
      1. "What Came off the Loom Yesterday"
    3. Hand Woven Table Runner in Rainbow Cotton (Breaking in the the New Loom)
  3. "The Textiles from the Account Books of Elizabeth de Burgh, Lady of Clare, 1350-1351" 
    1. Test of "Apple Blossom" colored wool
    2. Test of rayed (striped) twill of various types of wools/sizes/colors 
    3. The final list of fabrics to be woven
  4. The Golden Fleece Project (Otherwise known as 7 lbs of THAT ROMNEY FLEECE)
    1. "The Golden Fleece"
  5. Random Hand Spun Yarns
    1. The Loud Batt - Mood Swing (this was mentioned very briefly in "the Golden Fleece" post but I need to write up something more when its done.
      1. Spun, Plyed, Knitted
    2. Screaming Orange Yarn (Alpaca and Silk)
    3. Rainbow Yarn (50/50 Merino/Silk)
    4. Teal Yarn
  6. Random Sewing Projects
    1. a curtain for the studio
    2. Dress for the little cousin
    3. Hoodie for the little cousin 
  7. Linen Waistcoat (Jacket) c.1630 based upon extant examples
    1. This jacket is almost done. I need to finish writing this documentation.  
  8. Half Baked Knitting Projects (By this, I mean half done projects)
    1. Scarf out of rainbow cotton yarn as Christmas present for Miss L with a bonus headband
    2. A bunny out of handspun for Miss E
    3. Cowl out of Noro yarn 
    4. Lacy Scarf out of alpaca/silk handspun lace weight
    5. Something out of Malabrigo Rasta yarn in super bulky - color Archangel
    6. Scarf for my sister in law
  9. Round 10 Stitch Blanket project for the house made of handspun (the thing that will never be done - ever.)
    1. yarn one (spun - knit)
    2. yarn two (spun - knit)









Monday, November 17, 2014

Golden Fleece Part One

Since Last Time:

I took a break from the Cormo that I was spinning to spin two more colorful yarns.  One was Teeswater wool you saw in my last post.  That is now being woven to make a shawl for the Christmas pile.  The second was an attack of frustration and color.  I had a bad day where it felt like none of my projects were working correctly.  In response I carded a batt (I have a double wide Staunch drum carder) of wool, alpaca, silk, sari silk, and baby camel.  It came out bright and colorful.  Loud actually.  I spun it up in a long evening and it made me feel much better.  It is also destined for the loom as soon as I find or come up with a suitable warp (there is not enough of it to be the warp and weft so I will have to combine it with something else).  

In the mean time I will go back to the Cormo and my current warp.  I've also begun to think about my next large project.

Spinning in the Grease Fleece Two

This is a full (7 lbs) Romney fleece.  Not just any fleece mind you, but one that won both the Best Of Breed for Romney and Best In Show at the Big E, 2014.  Its stunning.  And I have plans for it.

I'm a little in awe of the thing actually.  Its the biggest project I've ever taken on and most likely, the most ambitious spinning project I've taken on.  A few years ago I challenged myself to spin 30 yarns in 30 days (yarn being defined by one bundle of process top or roving, usually about 4 ounces). I managed to do 27 of them in 30 days I think,  This project seems so much larger than that for some reason and I don't even have the self imposed deadline. I want to make every inch of this yarn lovely and perfect.  And then weave it perfectly.  I suspect that I will lose a few ounces to trial-and-error and experiments but with 7 lbs to work with that should not be a problem.

EDIT: Fiber people are funny.  We think the smell of lanolin and hay is delightful and wish it came in a perfume.  We stick our heads in bags full of fiber and smell the stuff.  When I was pulling out some of this fiber to work up a sample at a living history event I was attending I was thinking just how wonderful it smelled.  Earthy.  When I got to the event several fiber folks wanted to know what I was working with.  I would hand them the bag and sure enough they would stick their heads in and smell the stuff, often before feeling it.  Apparently I'm not crazy.  I have said it before, but not here, I love textile geeks.  Of course my husband does not quite agree with the perfume idea.  


So the details of the fleece are this:

Farm/Breeder (where the real credit goes): Smiling Sheep Farm
Website: www.smilingsheepfarm.com (the site has not been updated in a while but the contact information is good)

Purchased At: Fiber Festival of New England, 2014 from Smiling Sheep Farm's Booth

Staple Length: 5.25-5.5 inches long  (Just look at the crimp on that fiber! Whomever sheared this boy was just a master.  There are very few second cuts.)

Weight: 7 lbs

Color: Dark Chocolate (I'm sure it has a name in the breed coloring but I don't know it.)

Greece Content/Veggie Matter: Light in both cases (he was jacketed)





The Current Plan (subject to revision, better ideas, and mood swings):

I plan to spin several samples so I get the hang of working with this fleece.  Once the spinning method and prep method (if any) is determined then I will divide the fleece for warp and weft.  How much goes into each pile will be determined by the practice skeins and their weight/yardage.  The weft will be blended with teal, blue, and purple silk on the drum carder.  I'm adding silk both for the color and to extend the amount of yarn I will get.  I will then spin it all, wash the yarn, and weave it into a blanket probably in an overshot pattern.  I thought about weaving in the grease too but I would love to get the yarn pre-shrunk first (something the test skeins will also tell me).

Of course I need to finish the current projects first.



Tuesday, November 4, 2014

Spinning in the Grease - Part II

I have had a few more thoughts along the way on this project.  I took the time to go though my bag of wool last night to separate out all the nice pieces of wool from the second cuts and tangles.  This was the result.


As you can see the vast majority of the fiber from this fleece ended up in the nicely organized bin rather than the tangles on the right.  In all about 1 oz of tangles were separated.  Remember that is with the weight of the grease in it so its actual weight is less than that.  For a full pound of fiber I think that is rather good.  I can still put that last bit though my drum carder if I need to.  The real credit of course goes to the breeders and sheerer.  

The first bobbin is full now.  As I'm working its very tempting to take a large bundle of fiber in my hands so I don't have to stop very often.  I have found this does not work well with this fleece.  A bundle of wool about the size of a quarter at one end is the most I can really do at one time. Otherwise it tangles and I get waist at the end of the bundle.  This photo also shows how tightly some of the fibers are stuck together at the ends.  Just a little fluffing at the ends and it is fine.  If the fleece were old or had a lot of grease in it this would be a tedious, perhaps impossible task.  The longer the lanolin sits on the wool after sheering the stickier it gets.  Therefore this fleece which was light on lanolin and dirt to start with is able to be spun by this method. 



Actually as it turns out there is almost no veggie matter in this fleece and its very clean. I've had to pick out more hay out of commercially prepared, dyed, top than this fleece. I have a few bundles that are a little dirtier than others but mostly its just really nice wool.  I cannot wait to ply this up and wash it.  


Monday, November 3, 2014

Spinning in the Grease

Over the years I've had a number of blogs and as such this one is no different than the others.  The focus remains on my exploration of history and textiles, preferably but not always, in the same project.

I've been spinning yarn since 2010 when I decided that I should know enough about spinning to demonstrate it to my students of fashion history.  I wanted them to understand how much effort when into many any piece of clothing before the industrial revolution.  As it happens I got addicted to spinning.  It was a perfect blend of artistic talents, productivity, & mediation.  

In the beginning I hated the idea of working with raw fibers; those with the grease still in them.  I still hate the idea of washing a fleece and combing it out afterwards.  It is just not my cup of tea.  So I've begun to investigate spinning wool while the grease is still on the fibers.  Please don't mistake me, some fleeces require washing and processing just to be useful.  Some animals don't, such as alpaca, which is washed after spinning.  In the last two weeks I have bought not one, but two, unwashed fleeces.  Each were picked for qualities that made spinning in raw, not just a possibility, but a better choice then traditional processing in my opinion.  Traditional processing would work but I think I will get a better yarn if I don't wash them.

This first entry are my notes on the first of those fleeces.  

Fleece: 1 pound of Cormo from Foxhill Farm Fibers & Sheep

Color: Buff or light brown

Purchased at: The New York Sheep & Wool Festival, 2014

Staple Length: 4 inches

Grease Content: Light to Medium

Veggie Matter: Very Light (the animal was jacketed) 

Crimp: Light


Sample Yarn Notes: 2 ply, very springy, great drape, came clean in the wash bath with hot water and a light does of Unicorn Scour (the same detergent as you might use on a raw fleece).  I spun it to lace weight to get a two ply fingering weight yarn.  I think this will lend itself to a nice blanket or throw later.  I should also note that the in the grease yarn was smooth before washing and very fluffy after washing.  This is in part, I believe, due to the nature of the Cormo fleece which tends to bloom when washed, even with additional twist in the spinning.

Other Notes: The reason I picked this fleece was that it was very clean from veggie matter, the wool was consistently 4" long throughout the bag, the color was amazing, and the majority of the fiber was in these nice neat clumps (shown above).  Why process this?  The grease was not so bad that it irritated my skin, nor did it smell.  There was not a great deal of dirt or other matter in the wool.  The purpose of combing or carding wool after washing is to get all the fibers unmatted and lined up again.  In the case of this fleece it came that way.  These clumps pulled apart in my hands very easily and pulling off individual fibers for spinning was easy, either from the tip or the side.  I would not want to let the fleeces sit in the bag for a long time or it would mat on its own.  


I was able to spin it very easily from the side, almost like spinning from the fold (see The Intentional Spinner, page 74 for spinning from the fold.)  This is a semi-woolen spinning method that accentuates the natural spring of the Cormo fibers.

I am currently though most of the first 4 oz bobbin.  I do not want to try and ply this yarn from a center pull ball.  I think it would lead to disaster.  I will instead spin a second bobbin and ply it.  Afterwards I will determine how much second cuts remain in the fleece, separate the second cuts and spin the remainder. 

One last additional note: the smell of the lanolin makes the cats want to "groom" the fleece.  Not at all good for the beasties or the fibers.

There will be more to come on this yarn as I work on it.